Vishal’s Chandru (named, we are told, after Subhas Chandra Bose) playing an army man, who looks like one, gives Shradha’s Gayathri a helping hand in cracking the case. They have a history, but refreshingly no songs, no running around the non-existent trees. Halfway through the film, Chandru’s arch-adversary Leela (Regina Cassanda) shows up. Leela is an abused child who has grown up into a cyber thief.
The screenplay (written by the director Anandan) is original and unafraid to plough into new territory in commercial cinema. The storytelling is devoid of self-importance. No one here is out to change the world, but hey, if it does happen, no harm in it.
For an action star, Vishal has kept the stunts to a bare (and raw) minimum. There is the mandatory introductory fight (how can any South Indian superstar make his entry without one of those?) and the climactic conflagration which is extremely well-staged, cutting the footage nimbly between the fight on a dark street and the heroine in the hospital who’s about to be attacked by the arch-villain, Leela.
There are passages in the fast-paced narrative that could have been better executed. But the spirit of perfidious fun is never lost even in the most outrageous interludes. Vishal allots himself ample time in the narrative but not at the cost of the other characters. His monologue on the invasion of privacy by online entrepreneurship is timely when the consumer buys everything from mouthwash to movies online.
And it’s good to see veteran Tamil actors like K R Vijaya and Manobala in the cast. The editing (Thiyagu), so crucial to a crime caper is largely precise. No sequence is allowed to overstay its welcome. And we are in and out of this perky adventure actioner in no time at all.
Yup. I had myself a good time at the movie theatre. Chakra is fun to watch.
Directed by MS Anandan, Chakra gets 3 stars.
Image source: Youtube/VishalFlimfactory/imbd__2021-2-20-5-30-22_original.jpg "d")